Down the Line: May 2007 releases

March PreviewsDown the Line is our monthly look at Previews, and what titles are coming out a few months, well, “down the line.”

This installment covers the March Previews for comics due to ship out in May 2007. Remember, especially with the indy books, that pre-ordering is your friend, and the best way to make sure you get the books you want. I should mention, thanks to the increasing prevalence of advance solicitation, that several of the books here won’t actually ship until June or later, but the preorders are still due by the end of March.

By the way, I’m a little late this month thanks to running a comics store being a lot of work, as it turns out, so you’ve got a little over a week to get your orders to your retailers. Sorry about that.

As always, the Previews rundown is in alphabetical order, rather than the order used in the catalog. To facilitate those seeking more information, each entry will include the page number of the solicitation. I’m going to offer up my “Top Ten Shiny New Things to Watch Out For,” which is in a 1-10 order of what I’m most looking forward to (the first item is my “pick of the month,” as it were.) Then I’ll provide a rundown of “Other Stuff That Caught My Eye.” My focus in this column is always going to be on jumping-on points and new stuff, so if you’re wondering “Where’s Jack of Fables?” or something along those lines, I still love it, I just don’t want to keep harping on it. I’m also going to do my best to provide links to art and other preview material, or at the very least official websites, so you can track down more information.

Top Ten Shiny Things To Watch Out For:

Criminal Vol 1Criminal Vol. 1: Coward (Marvel Comics) - Starting off strong and never losing a step, Criminal is one of the best books on the market. Now’s the chance for trade-waiters and those who just missed out in the first place to take a look, as Brubaker and Phillips serve up the collected edition of one of the best crime stories in comics in the last decade. (You heard me, and I’m not exaggerating.) Then you can jump right onto the next story with issue six. If you’re reading and enjoying Brubaker’s Daredevil, you absolutely should be reading Criminal. I’d bet that the corollary of enjoyment in those two audiences is about 95% or better. And Captain America, Iron Man and the Hulk sit down and hash out Civil War and World War: Hulk in the epilogue! OK, so that’s a lie. Or is it? You’d better buy the Criminal trade just to be sure. (page M79)

The Damned Vol 1The Damned Vol. 1: Three Days Dead TP (Oni Press) - I am almost anticipating The Damned trade paperback as much as I am the Criminal trade. It’s that good. Gorgeous art by Brian Hurtt, and a great setting that blends ’30s gangsters with demons to good effect. Cullen Bunn turns in a story of a guy on the outside, haunted by his past, who gets mixed up in a brewing gang war in an attempt to deal with some of his old demons (literal and figurative, in this case) and winds up discovering something big. Even without the supernatural elements, The Damned is a well-constructed noir mystery, and with the supernatural elements for flavor, it’s one of the freshest concepts I’ve read in a long time. (page 323)

Intersections TP (Image Comics) - Two talented realistic artists, Duncan Fegredo and Sean Phillips, team up for a near-100 page sketchbook. That’s all you’d need to sell me, but Intersections also has a clever hook: It’s a conversation, done as images mailed back and forth, which makes it an artistic experiment as well as just a chance to see some great art. Two talented cartoonists showing off their skills, that’s easily worth the $15 cover price. (page 148)

Batman Ego and Other TalesBatman: Ego and Other Tails HC (DC Comics) - Sometimes, it doesn’t pay to be ahead of the curve. I’m a huge Darwyn Cooke fan, and as a result, I’ve bought pretty much everything published in trade paperback or deluxe format. Batman: Ego? Got it. Catwoman: Selina’s Big Score? In hardcover. Solo #1 & 5 and Batman: Gotham Knights #23 & 33? Well, no, I’ve read them but I was holding out for a Solo collection and I didn’t buy Gotham Knights just to get the backup stories. So for those of you who haven’t read Ego or Selina’s Big Score, congrats because this is a big ‘ol great collection of Cooke’s work. For me, it’s like $25 for a couple short stories and two issues. I’m still considering it, though. That’s how much of a Darwyn Cooke fan I am. (page 67)

Re-Gifters GN (DC Comics/Minx) - The second of DC’s new imprint aimed at young adults, and again, though I’m not really the target audience, I’m intrigued. The creators on this are the creators of the delightful Vertigo miniseries My Faith in Frankie, and the story of a young Korean-American girl living on the fringes, fighting in martial arts tournaments and falling for a surfer sounds potentially good. DC may well snag their target audience with these books… they’ve certainly lined up some impressive talent for the launch. (page 109)

G.I. Joe: Storm Shadow #1G.I. Joe: Storm Shadow #1 (Devil’s Due) - The good news is, Larry Hama is going to write a new ongoing G.I. Joe series. The bad news is, it’s all about Storm Shadow, and I don’t know about the rest of you, but I kind of got tired of all the ninja crap around the time G.I. Joe had a ninja force. Hama’s military jargon and fascination with military ethos and operations was a big part of what I liked about G.I. Joe, and I don’t know if that will show up in a story focused on anti-hero ninja Storm Shadow. But on the other hand… it’s Hama writing G.I. Joe regularly again, and this longtime G.I. Joe fanboy will definitely be at least giving it a look. Even if I might start drawing Zap and Shipwreck into the backgrounds and tagging acronym explanations like “*RPG= Rocket Propelled Grenade” into the margins. (page 277)

SilverfishSilverfish HC (DC Comics/Vertigo) - So that’s what happened to Stray Bullets! David Lapham more or less vanished after his Batman arc, and I wondered when we might see some new Stray Bullets. As it turns out, we’re instead getting a 160 page original crime graphic novel from Vertigo written and drawn by Lapham. The preview art is gorgeous, and the genre is one that Lapham works well in, so I can’t wait to see it. For those who need a premise: 16-year-old Mia discovers that her stepmother has some nasty secrets involving money and a knife caked in blood, and winds up in dire straits with a deluded killer. Take that, apply one of the best crime writers in the medium, stir and buy the damn thing already. (page 112)

Hack/Slash #1Hack/Slash: The Series #1 (Devil’s Due) - Hooray! I’ve had hit or miss experiences with the Hack/Slash one-shots, but I’ve always liked the property, and with an ongoing series finally in the works, hopefully the book will get the room to breathe that it needs to really grow. For those who haven’t read it before, Hack/Slash is not unlike Buffy the Vampire Slayer for slashers, written by a guy who totally gets the slasher ethos. Slasher movie fans will be in heaven, and even those who don’t generally dig on the genre but like self-referential versions of it (like Scream) will enjoy it as well. You can see an interview, with art pages, with artist Emily Stone at CBR. (page 273)

Silver Sufer Omnibus Vol 1Silver Surfer Omnibus Vol. 1 HC (Marvel Comics) - I already have the issues of the Stan Lee/John Buscema Silver Surfer in an Essential volume, but oh man am I tempted by this book. Marvel’s previous Omnibus volumes like New X-Men and Uncanny X-Men have been great, chockful of letters pages, snazzy coloring and clean-up and other extras, and I’d expect this one to be no different. I’m a huge fan of Buscema’s work, and these really are the best stories ever told with the Silver Surfer (save maybe his first one). At $75, this is expensive, but odds are good it’ll be worth it. (page M89)

Countdown 51-48 (DC Comics) - Let’s see, weekly infusion of cash plus their best-selling series of the moment equals… yep, sequel to 52! Well, sort of. They’ve dropped the real-time gimmick, added the big characters back in and adopted a new writing and art method that looks more like a rotating anthology of creators, with Paul Dini “showrunning” the whole thing. The 52 team pulled off the seemingly impossible, can DC do it again and maintain the sales on a book that is starting to show some signs of reader fatigue? My guess is that Countdown will be about as good as 52, which is to say solid weekly superheroics, but that the hype that drove 52 to such dizzying heights of sales may not materialize for what is essentially “52 Year Two.” I’m no fan of the lame Countdown numbering (51 to zero? Really? Why not just add a -1 issue?), but I am a fan of Dini and I’m mildly addicted to weekly superhero melodrama at this point, so I’m probably in. (page 74)

Other Stuff That Caught My Eye:

Adhouse Sticker Pack (Adhouse) - I usually don’t mention non-comics stuff here, avoiding toys, etc., but I’ve got to give a mention to this five dollar pack of stickers from Adhouse. Stickers from Paul Pope, James Jean, etc. would make handy decorations for any comics fan, on anything from books to laptops to bikes to whatever. I’ll definitely be picking up a pack of these. (page 218)

Aliens Omnibus Vol. 1 (Dark Horse) - While I’ve read most if not all of the Predator and Terminator comics that Dark Horse put out, I’ve missed a lot of their Aliens work, and what I have read, I liked. So kudos to Dark Horse for putting this stuff back into print, in the sort of mid-digest format that they’ve recently used for Star Wars Rogue Squadron. It’s a big chunk of comics, and the art on this collection includes paint-y style work from Nelson and Den Beauvais as well as work from Sam Kieth! (page 30)

Batman #666 (DC Comics) - I’ve soured on Grant Morrison’s Batman run, but I might have to check back in for this weird high concept issue, which features Batman’s bratty son in the future, adopting his dad’s costume and fighting the Anti-Christ. In the hands of Morrison, that sounds like a potentially crazy fun outing. (page 64)

Batman: Turning Points TP (DC Comics) - DC digs into the back issue bins for the story that led up to Commissioner Gordon getting shot and sidelined. Now, all of that is gone post One Year Later, but the emotional core of these stories, following the Batman/Gordon relationship through the years and written by Greg Rucka, Chuck Dixon and Ed Brubaker, are still strong. And the artwork, by Steve Lieber, Dick Giordano, Paul Pope and others is pretty damn solid as well. This goes back far enough that I’ve got the single issues, but if you’re looking for some more Rucka and Brubaker stuff that was in many ways foundational to their creation of Gotham Central, Turning Points is a good place to look. (page 66)

Bizarre New World #1Bizarre New World #1 (APE Entertainment) - APE comes out swinging in May with four new books! There’s a sequel to Revolutionary War era adventure title The Black Coat, which I’m quite looking forward to. There’s White Picket Fences, which I’ll cover later in this feature. There’s Subculture, which professes to be a loving look at fandom, and then there’s Bizarre New World. That one’s about a guy who develops a “problem with gravity” and it looks like a more “real world” treatment of what it would be like to be the world’s first flying human being. Lots of good premises in there, and though the talent is mostly new and unknown, there’s a lot of promise. (page 229)

Black Diamond #1 (AIT/Planet Lar) - I was starting to think we’d never see this limited series from AIT/Planet Lar, given that the preview book came out a couple years back. But it’s now being solicited, and it still looks like plenty of fun. High octane driving across a near-future cross-country elevated highway, as a dentist has to borrow his brother-in-law’s 1973 Mercury Cougar to take to the outlaw roads to rescue his wife. All in full color with art by Jon Proctor, of the short-lived but well-drawn Gun Theory miniseries. (page 222)

Buffy the Vampire Slayer Omnibus (Dark Horse) - Dark Horse offers up another omnibus collection of out-of-print works, this time a selection of Buffy the Vampire Slayer material. This one includes Joss Whedon’s “director’s cut” version of the movie that brings it into line with the TV show, as well as a few of the stories from the tail end of Dark Horse’s ongoing series which take place earlier in continuity. I’ve read those stories, which feature Buffy’s post-movie adventure in Vegas in her early Slayer days as well as her stay in an asylum. It’s good background material for the Buffy fan, borderline canonical at best but pretty solidly entertaining. (page 23)

Crossing Midnight Vol. 1: Cut Here TP (DC Comics/Vertigo) - Mike Carey’s new Japanese horror/fantasy comic gets its first collection, a $10 trade to intrigue folks into sampling the new Vertigo book. For my part, I’m intrigued but not really hooked, and four issues in, that’s not a real strong recommendation. But there’s definitely something there, and if you’re the type of Vertigo fan more into Lucifer, Sandman and Hellblazer than Y, Fables and DMZ, Crossing Midnight is probably the best new book to check out. (page 117)

DC Comics Covergirls (Universe) - This book by Louise Simonson promises to be a look at the female characters of DC Comics throughout the history of the company. The question is, with that title, does this mean lots of cool cover art, or is it going to be a sparsely illustrated academic tract? Either one could be entertaining, both together might be a little tricky. Tough to judge based on the information given, and the $40 price point is a bit off-putting, but potentially an interesting look at a side of comics history that is woefully underdeveloped. (page 392)

Doctor Strange: The Oath TP (Marvel Comics) - Brian Vaughan’s hipster take on Doctor Strange was fun, fresh and fast-paced, but the reason I’m considering picking up the trade has more to do with the amazing clean-line artwork of Marcos Martin. Doctor Strange is a hard character to get right, and this creative team sets down a take on the character that could easily be the template for a new, successful ongoing for the Doctor and his supporting cast. Shame that Vaughan probably won’t return to write it, and I’m not sure who at Marvel would be up to the task of taking the foundation and running with it. (page M105)

Drawing From Life #1Drawing From Life #1 (Image Comics) - My favorite Jim Valentino work was his dark autobiographical series A Touch of Silver, which unfortunately just sort of evaporated shortly into its run. Drawing From Life is a new autobio comic by Valentino, but it looks more like vignettes and short stories… sure to be entertaining, but probably not as deeply affecting as A Touch of Silver could be. At any rate, though, this is definitely the genre best suited to Valentino’s talents, and I’m glad to see him returning to it. (page 140)

Dwight T. Albatross’s The Goon Noir TP (Dark Horse) - An all-star lineup of guest artists and writers deliver a wide variety of stories set in the universe of The Goon. Some are a little lackluster, but many are as good or even better than Eric Powell’s offerings, and fans of The Goon’s off-kilter sensibilities would do well to check out this trade of black and white gems that include high profile guest creators from the worlds of comics, comedy and television. (page 26)

Exit WoundsExit Wounds HC (Drawn & Quarterly) - I’ve never even heard of Israeli cartoonist Rutu Madan, but looking at the cover to Exit Wounds, her graphic novel about a young man investigating his father’s death at the hands of a suicide bomber, I’m instantly enthralled. Featuring strong cartooning, and taking on fascinating subject material, Exit Wounds is an intriguing new offering. It also comes with a pretty impressive pedigree, as Madan has an impressive resume full of awards. You can check out a five-page PDF preview at Drawn & Quarterly’s site. (page 289)

Fables Vol. 9: Sons of Empire TP (DC Comics/Vertigo) - The latest Fables trade, and there’s not much new for me to say about my favorite book. This issue explores a theoretical war between the Homelands the adopted world of the Fables, and features some fascinating insights into modern warfare as tinged by magic. (page 119)

Fallen Angel: The Premiere Collection (IDW) - If this were an Absolute edition of the DC Fallen Angel, I’d be all over it. And even though I wasn’t crazy about J.K. Woodward’s art on the IDW version, I’m still tempted. The last super-deluxe hardcover IDW did, Adventures in Oz, was an amazing piece of work, and this collection of the 13 issues of the IDW series of Fallen Angel is definitely something I’ve got some interest in. Might need to check out the IDW trades and make a final decision. I almost want to buy it just to support IDW in showing this comic the love it never got (and truly deserved) during its time at DC. (page 308)

Fantastic Four Visionaries: Walter Simonson Vol. 1 TP (Marvel Comics) - Kudos to Marvel for continuing to delve (albeit sparingly) into their back catalog for books that might interest those of us put off by the modern status quo. I read a good chunk of Simonson’s Fantastic Four, and while I didn’t love it, there was a lot to like, including a great, fun use of time travel. And, of course, fantastic art. An entirely fun surprise from Marvel. (page M108)

Garth Ennis’ Streets of Glory Preview (Avatar Press) - Not a huge Avatar fan, but every so often they hit something good, and from what I hear, Ennis’ latest project from them, Chronicles of Wormwood, is one of those. So maybe this one, a western by Ennis, will also hit that strike zone. I’ll say this for it, the preview art from Mike Wolfer looks pretty good. (page 237)

Gutsville #1Gutsville #1 (Image Comics) - Wow, is that an insane premise. 150 years after an ocean liner was swallowed at sea, the descendants of the survivors live in a city in the guts of the beast. Bizarre, and full of stunning imagery from Frazer (Klarion the Witch Boy) Irving. (page 142)

Heroes for Hire #10 (Marvel Comics) - I missed this one last month, mostly because it’s been flying beneath my radar due to its Civil War tie-in status. I dug the characters from Daughters of the Dragon, and I like Palmiotti and Gray, but the Civil War tie-in to the first issue put me off. Issue 9, however, sees the start of a new era for the book, as Zeb Wells comes in to write and immediately throws Paladin (one of my favorite D-listers) back into the mix and then sends the team off to the Savage Land to hunt dinosaurs. Sounds fun enough to get me to give it another look, and if I wind up liking it, I’ll probably check out what Palmiotti and Gray wrote in the first 8 issues as well. (page M30)

Homeless Channel GN (AIT/Planet Lar) - I’ve noticed that the AIT/Planet Lar ad copy has started to become more and more obtuse about what the actual story of their books are, and the promo copy for Homeless Channel doesn’t do much to illuminate what the story is actually about. Fortunately, there’s a handy interview with creator Matt Silady (along with copious amounts of preview art) by Chris Arrant that tells you all you’ll need to know and is a pretty intriguing pitch for the series as well. (page 222)

Johnny Hiro #1Johnny Hiro #1 (Adhouse) - Adhouse has some of the best design sense in the industry, and they’ve discovered a lot of new talent. Fred Chao looks like another good discovery, as you can see by looking at the art on his blog. Johnny Hiro seems to be a lot like Dean Haspiel’s Billy Dogma, a tribute to the artist’s pop-cultural upbringing (in this case, Godzilla, Voltron and the like) with a strong indy sensibility behind it. (page 218)

JSA Presents: Stars and S.T.R.I.P.E. Vol. 1 TP (DC Comics) - I was beginning to think DC was never going to reprint this series, which was Geoff Johns’ entry into the world of comics. Stargirl has become an important member of the JSA, and this is her origin, but the best reason to pick this one up is to see some fun superheroics from Johns in his early days. As I remember, the book was flawed, not as polished as his Flash run, but it had a lot to offer, including a very likable and well-rounded new female character. (page 82)

Marvel Adventures Iron Man #1 (Marvel Comics) - Iron Man movie coming up means a new Marvel Adventures title, this one featuring Iron Man as written by Fred Van Lente. Van Lente does solid superhero action, as seen in The Scorpion, and this looks like a worthy addition to Marvel’s low-selling but very good all-ages line. Strange that there’s not a Marvel Adventures X-Men, but I guess X-Men: First Class might be expected to fill that role, and without the Marvel Adventures tag, it’s selling better. (page M39)

Punisher MAX Vol. 3 HC (Marvel Comics) - I stopped reading the Punisher MAX series in single issues because I wanted to be able to read the stories for the first time in this oversized hardcover format, which seems like the ideal format for me. Punisher as R-rated action movie, divorced from the Marvel Universe, with a stream of great artists doing fantastic work and Ennis taking the character more seriously. Probably my favorite Garth Ennis book running right now. (page M93)

Scarlet Traces: The Great Game HC (Dark Horse) - Gorgeous, gorgeous art by D’Israeli is all I really need to pick up the latest in a series of stories about a corrupt British empire bolstered by stolen technology from the failed invasion of H.G. Wells’ Martians. But a good solid story of corrupt military forces vs. intrepid reporters and guerrilla truth-seekers by Ian Edginton doesn’t hurt. The Great Game is accessible even if you’ve never read the original Scarlet Traces, but I recommend that book as well as this sequel. At $15 a hardcover, they’re a steal. (page 31)

Silver Surfer: Requiem #1 (Marvel Comics) - Prepare yourself for another wrongheaded “everything you know is wrong” story from one of my Marvel’s resident ruiners of good things, J. Michael Straczynski. Hey Marvel, you know who would be great for a Silver Surfer series? Joe Casey and Tom Scioli of Godland. Boom. Done. You’re welcome. (page M57)

Spider-Man Fairy Tales #1Spider-Man Fairy Tales #1 (Marvel Comics) - After the… success?… of X-Men Fairy Tales, Marvel moves forward with new fairy tales featuring Spider-Man and his cast. I don’t know that I have much interest personally, but props to the creative teams for digging into lesser-known myths, and to the editor for finding great creative talent. The artwork on issue #1, by Ricardo Tercio, looks great… although the first myth is Red Riding Hood, so not quite as far-flung as the Eastern and African fairy tales of the X-Men version. (page M20)

Spider-Man Loves Mary Jane Vol. 3: My Secret Life Digest (Marvel Comics) - I’m holding out hope for a second hardcover collecting the latter half of the McKeever/Miyazawa series, but just in case it doesn’t come, I’ll be picking up these digests. Let me stress once again that this book is a terrific read, even if the story of Mary Jane doesn’t sound like the kind of thing that would usually be up your alley. (page M95)

Station #1 (Boom! Studios) - Murder on the International Space Station. It’s a great hook, and while Boom! might be setting the expectations a bit high comparing it to the amazing Whiteout from Oni Press, the unusual setting for a murder mystery certainly makes it seem a fair comparison. Johanna Stokes is a talented writer, and while I don’t know the art of Leno Jefferson, Boom! has had pretty good luck with artists as well. (page 252)

Strange Embrace #1Strange Embrace #1 (Image Comics) - I read and reviewed this when it came out as a black and white graphic novel through Active Images. Now Image is re-releasing it as a re-colored limited series, and I highly advise anyone with a fondness for Vertigo cerebral books or psychological horror to give it a look. David Hine has carved out a niche for himself at Marvel with The 198, Silent War and the rest, but Strange Embrace is still, to my mind, his best and most challenging work. I hold it up there with Uzumaki as some of the most affecting horror in comics. (page 144)

Supernatural: Origins #1 (DC Comics/Wildstorm) - I’ve never seen the CW show Supernatural, but it seems to have captured some of the crowd who liked Charmed, Smallville and such, and it’s certainly a coup for Wildstorm to get an original prequel to the series co-written by its creator. I don’t have a ton of interest personally, but the art by Matthew Dow Smith and Phil Hester looks really nice, so I might just have to give it a look. (page 102)

Usagi Yojimbo Vol. 21: The Mother of Mountains TP (Dark Horse) - Not much new to say, just noting that there’s a new Usagi trade this month, which is always cause for celebration. Now if only Dark Horse would get all the back trades back into print again. (page 33)

Ward of the State #1 (Image Comics) - Image is really driving for the horror niche lately, and this one, about a foster mother who trains her wards to be serial killers, is an intriguing (and ready for movie option) premise with nice-looking art by mono-named Chee. This looks like the kind of thing I would have expected to see at IDW, and I’d expect that those who have enjoyed IDW’s horror offerings would like this as well. (page 146)

Warlash: Zombie Mutant Genesis GN (Asylum Press) - Fair warning… this kind of thing can easily be bleeding eyes-inducing bad, as it features a dystopian future, a “biomechanical hybrid warrior” as its protagonist, a serial killer, rogue geneticists, etc. In other words, all the plot elements of bad Troma films. But on the other hand, there’s something intriguing about the art, $5 for a 72 page full-color graphic novel isn’t bad at all, and this could easily be fun in a 2000 A.D. vein as well. (page 237)

White Picket Fences #1 (APE Entertainment) - This one looks like fun, a riff on ’50s alien invasion movies with really nice artwork. You can see the entire 5-page Free Comic Book Day story and 10 pages of unlettered preview on Comicspace. (page 229)

Working Methods: Comic Creators Detail Their Storytelling and Artistic Processes (Twomorrows Publishing) - Process junkies, take note, Twomorrows offers up a big ‘ol book of artists and writers talking about their methods, their tools and basically how they do what they do. The creators involved aren’t listed, but Twomorrows has a good history with this kind of thing. (page 353)

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Categories: Down the Line, Randy Lander | 29 comments for now

29 Responses to “Down the Line: May 2007 releases”

  1. The thing that has me somewhat excited about Countdown is that Sean McKeever will be writing every fourth issue. At Marvel McKeever wrote the fantastic Spider-Man Loves Mary Jane, a phenomenal Inhumans drama, and the entertaining two minis Sentinel. What all these series have demonstrated is that McKeever handles characterization better than just about every other comic writer out there. It’ll be interesting to see that quality characterization for DC characters.

    19 Mar 2007 at 4:03 am

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  2. Argh! I just purchased the second IDW Fallen Angel trade. This “Premiere Collection” version sounds really good.

    19 Mar 2007 at 5:31 am

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  3. Glen Newman #

    Gonna have to get that Darwyn Cooke hardcover. Already have Selina’s Big Score but got it for less than half price so don’t mind splashing out again. Become a huge fan of his recently.

    19 Mar 2007 at 7:17 am

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  4. Dan Coyle #

    To paraphrase Matt Taibbi, Is there no way we can get the U.N. to intervene and stop J. Michael Straczynski?

    I’m not sure about Casey and Scioli on the Surfer, though. Gage and Lim, perhaps. Giffen and Lim, perhaps. Ellis and Garney, only in my dreams.

    Casey and Scioli on X-51, however…

    I wonder how many of the women you can point to in that Louise Simonson book and can say they’ve been beaten, raped, decapitated, ostracized, etc? And I wonder how many times you can cite Geoff Johs, Greg Rucka, Bill Wilingham, Denny O’Neil, or Mark Waid as the person responsible for it?

    19 Mar 2007 at 8:08 am

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  5. To paraphrase Matt Taibbi, Is there no way we can get the U.N. to intervene and stop J. Michael Straczynski?

    |:(

    Straczynski is my favorite writer. If you don’t like his work, that’s fine- just don’t buy it. But myself, I’d like to get as much of it as possible. He’s had a few missteps lately, but when he gets it right his storytelling is amazing.

    19 Mar 2007 at 8:25 am

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  6. I liked what I read of Stray Bullets though I only kept up with the book intermittently, so I’ll likely be checking out Silverfish, nice to get all at once as a graphic novel.
    Blackdiamond sounds like a fun action movie-like read.
    And Johnny Hero is catching my eye too, not only does the whole Kaiju/Sentai vibe appeal to me, but looking at his blog, so does his artwork.

    19 Mar 2007 at 9:26 am

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  7. Randy Lander #

    Straczynski is my favorite writer. If you don’t like his work, that’s fine- just don’t buy it. But myself, I’d like to get as much of it as possible. He’s had a few missteps lately, but when he gets it right his storytelling is amazing.

    See, the problem with “If you don’t like it, just don’t buy it” is that he’s in control of some of the characters I do like. Same with Bendis and Avengers. It’s easy to say “Well, if you don’t like that writer, don’t read their work” and I don’t, but it pains me to see some of my favorite characters in the hands of people whose writing I just can’t stand. Especially when, in the case of characters like Silver Surfer, it’s likely to be the only place we can see the character and the writer is known for making sweeping changes in their origins/characterization that will affect them for years to come.

    I’d say Straczynski’s comics career has mostly been missteps. Sins Past, the whole Ezekiel/spider totem thing, the revelation that the FF essentially caused their own origin, that godawful revision of Dr. Strange into a boring Matrix retread… out of curiosity, what have his high points been?

    Btw, sorry if this sounds accusatory, I really don’t mean it to be… I’m legitimately curious what would make Straczynski a favorite, beyond his having written a pretty solid sci-fi epic with Babylon 5.

    19 Mar 2007 at 10:33 am

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  8. Randy Lander #

    I’m not sure about Casey and Scioli on the Surfer, though. Gage and Lim, perhaps. Giffen and Lim, perhaps. Ellis and Garney, only in my dreams.

    Yikes. The only thing more terrifying than Straczynski on Surfer would be Ellis. Ellis would turn it into a serious sci-fi book, when what it needs is high powered cosmic action. At least, in my opinion. I don’t want to see a book revealing the lost cultures of Zenn-La with the Surfer as philosopher talking about the pseudo-scientific composition of his silver skin.

    Hmm… on the other hand, maybe I do want to see that. But seriously, wasn’t Ellis the guy who turned Galactus into a swarm of bugs and gave the Surfer pipe-organ wings instead of a surfboard in the Ultimate universe? That’s a serious misunderstanding of the appeal of the characters.

    19 Mar 2007 at 10:36 am

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  9. Randy Lander #

    The thing that has me somewhat excited about Countdown is that Sean McKeever will be writing every fourth issue. At Marvel McKeever wrote the fantastic Spider-Man Loves Mary Jane, a phenomenal Inhumans drama, and the entertaining two minis Sentinel. What all these series have demonstrated is that McKeever handles characterization better than just about every other comic writer out there. It’ll be interesting to see that quality characterization for DC characters.

    I wasn’t aware that McKeever was writing every fourth issue… I had heard rumors that he was involved, but hadn’t seen it announced anywhere. That is definitely exciting, as McKeever is a terrific writer.

    19 Mar 2007 at 10:37 am

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  10. Nick Budd #

    Btw, sorry if this sounds accusatory, I really don’t mean it to be… I’m legitimately curious what would make Straczynski a favorite, beyond his having written a pretty solid sci-fi epic with Babylon 5.

    You know, I have my own problems with Stracynski as well, especially with his superhero stuff for mainly the same reasons that Randy has mentioned. I don’t like his take on many of the characters that he writes (i.e. the whole Green Goblin/Gwen Stacey debacle), as they clash with what I want in a superhero book. My problem, I know, but there it is.

    That said, what doesn’t work in mainstream books, works in his others. I’m a big fan of Midnight Nation and a partial fan of both Supreme Power and Rising Stars. In those books, since the characters are his own creations, I don’t mind the wonkiness and uber-darkness.

    Oh, and if I’m not mistaken, didn’t Stracynski write for the Real Ghostbusters cartoon? Those were cool (and god, I’m dating myself with that one). Also, sign me up for a Tom Scioli and Joe Casey Silver Surfer. That right there would be comic book gold. :)

    19 Mar 2007 at 11:01 am

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  11. Strazinki’s FF was pretty ok. His Spider-man was crap but honestly who even notices bad writting on Spider-man anymore?
    and Randy I got my trouble’s with “Don’t like it dont buy it” too. Doom wont be in FF BUT will be in mighty Avengers? That’s bad but at least Confessions showed Bendis is not stupid ALL THE TIME. sadly the Cap part and New Avgengers both show he’s really pretty bad most of the time.

    19 Mar 2007 at 11:56 am

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  12. Lex #

    The thing that has me somewhat excited about Countdown is that Sean McKeever will be writing every fourth issue. At Marvel McKeever wrote the fantastic Spider-Man Loves Mary Jane, a phenomenal Inhumans drama, and the entertaining two minis Sentinel. What all these series have demonstrated is that McKeever handles characterization better than just about every other comic writer out there. It’ll be interesting to see that quality characterization for DC characters.

    I was prepared not to be interested in Countdown at all. But DC sucked me in with some excellent writers. Dini, McKeever, Adam Beechen, Tony Bedard and Palmiotti & Gray. That’s a good team of writers.

    19 Mar 2007 at 1:02 pm

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  13. Tomas #

    See, the problem with “If you don’t like it, just don’t buy it” is that he’s in control of some of the characters I do like. Same with Bendis and Avengers. It’s easy to say “Well, if you don’t like that writer, don’t read their work” and I don’t, but it pains me to see some of my favorite characters in the hands of people whose writing I just can’t stand. Especially when, in the case of characters like Silver Surfer, it’s likely to be the only place we can see the character and the writer is known for making sweeping changes in their origins/characterization that will affect them for years to come.

    I definitely get where you’re coming from, but as the old saying goes, “you vote with your wallet.” Sure, you can express your disdain for it on Comic Pants, message boards, or other web sites, but the one thing comic companies (or at least, the Big Two) focus on the most is sales. I think.

    I’d say Straczynski’s comics career has mostly been missteps. Sins Past, the whole Ezekiel/spider totem thing, the revelation that the FF essentially caused their own origin, that godawful revision of Dr. Strange into a boring Matrix retread… out of curiosity, what have his high points been?

    I agree on all that stuff, but he has written some very good Spider-Man stories. I loved the issue where Aunt May confronted him about his secret identity, the issue where Peter and MJ got back together, and issue #500. The 9/11 issue wasn’t bad either, but there is no way Doctor Doom would cry at what happened that day.

    19 Mar 2007 at 1:02 pm

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  14. Kris #

    I’m on the fence about the Aliens Omnibus. Loved the movies, but never read the comics. Can anyone recommend it, or recommend against it? Opinions on the 9×6 format?

    19 Mar 2007 at 1:56 pm

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  15. Kiel #

    What caught my eye the most was Ape Entertainment’s 4 new offerings - Black Coat, Subculture, White Picket Fences, and Bizarre New World. Also, a new “Death” mini. Plenty of new stuff to try out elsewhere, too numerous for me to list here. All that new Image stuff sounds good too. And some nice offerings from DDP.

    Overall, looks like a solid month.

    And Randy, you give Criminal too much credit. It’s pretty good, but it’s nothing new or original. And good choice - Punisher MAX reads so much better as a trade. It’s a good book; it’s just a shame Lewis Larosa (the guy who did the art on the first arc of the book) hasn’t been around. What happened to him?

    19 Mar 2007 at 3:29 pm

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  16. NickR77 #

    Great column as always Randy! Even if I buy Previews, I never seem to find any of the gems that you seem to point out, that I now need to consider buying.

    I’m now considering the Damned TPB, Silverfish by Lapham and Gutsville, due to the Frazer Irving art. I’d also love to buy some Hama GI Joe… but the art has to be at least readable, which it often isnt, in my opinion.

    19 Mar 2007 at 4:23 pm

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  17. Hellhound #

    It’s good to see Lapham putting comics out again even if it’s not Stray Bullets. I’m definitely looking forward to Silverfish.

    Even though I’ve been enjoying 52, I’m still a bit leery of Countdown. I’m sure it will sell well enough, but it seems to me like an awfully short sighted sales strategy DC’s part. How many times do they think they can go back to the weekly series well before fans get fed up? In the meantime, several of their ongoing books are withering on the vine.

    I’m no huge fan of JMS, but I have to agree that his best work is on books that are either his own creation or ones where he’s basically free to reinvent the concepts from scratch. Both Midnight Nation and Supreme Power/Squadron Supreme are solid reads and Rising Stars started out on a promising note even if it didn’t end that way.

    19 Mar 2007 at 4:24 pm

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  18. Tomas #

    Sure, you can express your disdain for it on Comic Pants, message boards, or other web sites, but the one thing comic companies (or at least, the Big Two) focus on the most is sales. I think.

    Sorry if this came off as rude; definitely not my intent.

    19 Mar 2007 at 5:10 pm

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  19. Randy Lander #

    I definitely get where you’re coming from, but as the old saying goes, “you vote with your wallet.” Sure, you can express your disdain for it on Comic Pants, message boards, or other web sites, but the one thing comic companies (or at least, the Big Two) focus on the most is sales. I think.

    I agree on all that stuff, but he has written some very good Spider-Man stories. I loved the issue where Aunt May confronted him about his secret identity, the issue where Peter and MJ got back together, and issue #500. The 9/11 issue wasn’t bad either, but there is no way Doctor Doom would cry at what happened that day.

    You’re right on both counts here, at least to a point. But I’ve seen more than one person on message boards basically using the “If you don’t like it, don’t buy it” argument to mean basically “And then shut the hell up about it.” I can choose not to buy it and still not like it, for the reasons I outlined. You’re right that the important step for the companies is to vote with my wallet, but I shouldn’t have to pay my $3 to gripe about their creative choices, if past experience (or current flip-throughs) indicate that the stuff I’m not buying is still doing damage to characters I have an interest in buying.

    As for Straczynski on Spidey… I like some of his ideas quite a bit. Making Peter a high school teacher is a genius move. Revealing his identity to Aunt May, also a great idea. But the follow-through on these ideas has generally been weak, and I’m not sure one or two good (maybe even great) issues make up for month upon month of awful ones.

    And don’t worry… you didn’t come off as rude, and I wasn’t offended. :)

    19 Mar 2007 at 9:37 pm

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  20. Randy Lander #

    And Randy, you give Criminal too much credit. It’s pretty good, but it’s nothing new or original.

    That’s true in film or novels, but in comics? There really isn’t anything like Criminal, which is good solid noir, out there. Even 100 Bullets, probably the most successful of modern crime comics, is something quite different.

    19 Mar 2007 at 9:38 pm

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  21. Tomas #

    It’s easy to say “Well, if you don’t like that writer, don’t read their work” and I don’t

    Woops, totally missed that. My bad :b

    You’re right on both counts here, at least to a point. But I’ve seen more than one person on message boards basically using the “If you don’t like it, don’t buy it” argument to mean basically “And then shut the hell up about it.”

    I never thought about it that way, but yeah, you’re absolutely right. And I see your points about JMS’ Spider-Man, especially with the “make Peter a high school teacher” idea. I think that particular idea could have really taken off if Stracynski had given Peter a strong supporting cast at the school to rival his great supporting cast at the Bugle. Less Spider-Totem, more interaction with the teachers and kids.

    And don’t worry… you didn’t come off as rude, and I wasn’t offended. :)

    Hurray!

    20 Mar 2007 at 12:33 am

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  22. Dan Duerr #

    Don’t know exactly what it was about Straczynski’s Spider-Man run, but I really enjoyed the early parts of it. Well that’s not entirely true, a big part of it was JRJR’s art, but I also enjoyed a lot the ideas he throwing around–including the Spider Totem bits. Thought it was pretty interesting, but can certainly understand why that’s a minority opinion.

    Maybe it was just that I didn’t read Spidey regularly until JMS’s run, so I didn’t have a strong sense of the character otherwise.

    That being said, Squadron Supreme was an all around stronger comic. Wouldn’t want to have read it in floppies, as it’s a little too decompressed for my taste, but it did read well in the trades.

    It’s frequently suggested that writers like JMS would be better off creating new characters rather than messing with the status quo. Might well be the case–Civil War, for example, would’ve made a lot more sense in the Ultimate universe (or really anywhere outside of the mainstream marvel-verse).

    Apologies if that was a bit scattered, it’s late/early where I am.

    20 Mar 2007 at 1:18 am

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  23. I’m a huge JMS fan, but even I couldn’t keep going on his Spidey run (although it did have its moments, most of which were mentioned in this thread already), and that made me leery of any other of his mainstream runs, so I haven’t read the other Marvel titles like FF.

    However, I returned to comics because of his writing for Top Cow, and I’ll hold Midnight Nation up to almost anything I’ve read since returning to comics, I enjoyed it that much. The first 8 issues of Rising Stars were excellent, but got derailed for many reasons. And while it was a MAX title, I really enjoyed Supreme Power (and even though he’s not involved in it, I’m quite liking the Hyperion vs. Nighthawk series right now).

    20 Mar 2007 at 1:54 am

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  24. corin #

    I’m on the fence about the Aliens Omnibus. Loved the movies, but never read the comics. Can anyone recommend it, or recommend against it? Opinions on the 9×6 format?

    The first few Aliens mini-series were good fun and there was some lovely artwork in there particularly from Beauvais . The problems came when the film storylines diverged from those in the books and the comics became (from what I remember) very bland.

    I’ll agree that Midnight Nation was probably JMS’s best comic work, I enjoyed the start of his Spidey run but the seemingly never ending run of pointless crossovers have made things drag for me. Depending on what happens in his final arc and who the next writer is I can see myself dropping Amazing Spiderman.

    20 Mar 2007 at 5:10 am

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  25. Kiel #

    That’s true in film or novels, but in comics? There really isn’t anything like Criminal, which is good solid noir, out there. Even 100 Bullets, probably the most successful of modern crime comics, is something quite different.

    Hmm, I can see that. It’s still very redundant to me, and I wasn’t quite as blown away by it as Comic Pants seems to be.

    And I mentioned this in your Drink and Draw review, but I’m not a fan of art/sketchbooks. BUT…I think I may have to get Intersections. Sounds pretty interesting, actually.

    20 Mar 2007 at 7:15 am

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  26. I was really tempted to pick up the first Criminal trade, but I’ve already ordered a lot (next to the titles on my pull list) so something had to give.

    The ones that did make it on the list:

    Buffy Omnibus - I’ve only read the Buffy GN Ring of Fire and I liked it a lot, I’m not sure it this omnibus is on the same level as RoF or the TV series. Anyone know if the insides of this omnibus is any good?

    Civil War: Fallen Son one-shots - Sue me, but I like the artists, the characters and now and then Loeb delivers a good story.

    Friendly and Sensational Spider-Man Annual’s - Peter David, Matt Fraction and Salvador Larroca are names I like to see on Spider-Man comics. Although I haven’t been to pleased with Peter David’s Friendly…

    Silverfish Hardcover - as a fan of David Lapham I just can’t let this pass me by, tough I’m sorry that we haven’t seen a new Stray Bullets for… What? A year and a half now?

    20 Mar 2007 at 9:32 am

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  27. Murphy #

    My two cents about JMS? I love some of his writing, but don’t really care for his ideas. Does that make sense? Sometimes it’s like reading a good execution of a stupid idea. Like ‘Pirates of the Carribbean’, for instance.

    To be more specific, Spidey going toe-to-toe with Morlun the first time is what brought me back to comics after not reading any for 5 years or so. I didn’t care for the totem story, but thought JMS really ‘got it’ when it came to Spider-Man’s determination and character.

    Anyway . . .

    Randy — what’s the story with Strange Embrace?

    20 Mar 2007 at 11:58 am

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  28. Randy Lander #

    Don’t know exactly what it was about Straczynski’s Spider-Man run, but I really enjoyed the early parts of it. Well that’s not entirely true, a big part of it was JRJR’s art, but I also enjoyed a lot the ideas he throwing around–including the Spider Totem bits. Thought it was pretty interesting, but can certainly understand why that’s a minority opinion.

    Actually, while I grew to hate it later on, I wasn’t entirely against the Spider-Totem bits at first. Seemed like an interesting diversion. But like so much Straczynski stuff, it was good setup, poor payoff. Even Babylon 5, probably his strongest work, suffered from that in its fourth and fifth season. (Although you could blame a lot of that on network tinkering and not being sure if there was going to *be* a fifth season.)

    You’re right, though, that the JRJR art was a big selling point. He also did amazing art on the Bruce Jones Hulk, which like JMS Spidey, turned out to be a horrible detour for the character that didn’t pay off its promising opening bits.

    That being said, Squadron Supreme was an all around stronger comic. Wouldn’t want to have read it in floppies, as it’s a little too decompressed for my taste, but it did read well in the trades.

    I agree, although unfortunately, it again is a case of strong start, then petering out into disappointment.

    Buffy Omnibus - I’ve only read the Buffy GN Ring of Fire and I liked it a lot, I’m not sure it this omnibus is on the same level as RoF or the TV series. Anyone know if the insides of this omnibus is any good?

    I’ve read the Vive Las Buffy and Slayer, Interrupted stories, with writing by Fabian Nicieza, and they’re good solid Buffy stories. I haven’t read Ring of Fire, although I know it’s well-regarded, so I can’t really compare quality on that level.

    I’ll say that the stories generally aren’t up to the level of the TV series, or the stuff written by Whedon and crew like Fray, Tales of the Slayers and Buffy #1, but it’s pretty solid entertainment if you’re a fan of the characters.

    To be more specific, Spidey going toe-to-toe with Morlun the first time is what brought me back to comics after not reading any for 5 years or so. I didn’t care for the totem story, but thought JMS really ‘got it’ when it came to Spider-Man’s determination and character.

    Yeah, I dug that too. Still have the first hardcover of JMS’ Spidey, actually, and though the JRJR art is a big part of why I keep it, I’ll admit that there was a pretty decent throwdown between Spidey and Morlun. If only that had been the end of it, rather than JMS bringing the character back for a later (and lamer) story down the line.

    Randy — what’s the story with Strange Embrace?

    It’s been a couple years since I read it, but as I recall, it’s about a man who buys an African mask and finds it slowly starting to drive him insane. You’ll like it, I’m fairly sure.

    20 Mar 2007 at 5:23 pm

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  29. a book revealing the lost cultures of Zenn-La with the Surfer as philosopher talking about the pseudo-scientific composition of his silver skin.

    I’d buy it.

    I do agree, more generally, that Silver Surfer does not need to be an overly-serious book. I haven’t read Annihilation (although I plan on getting to it), but I think that’s been the big failing of the cosmic Marvel characters of late. They seem to run from, rather than embrace, their cracked-out origins. I think Peter David’s Captain Marvel was the last time I actually enjoyed a cosmic comic from Marvel.

    22 Mar 2007 at 2:03 am

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