Wednesday Number Ones 1/9/08
Wednesday Number Ones is a weekly feature here at Comic Pants. We take the books that are premiering a first issue from that week and give a quick opinion on them. From time to time we may also include more than issue number ones in this feature. If a noteworthy one-shot or the first issue of a new story arc is released, we may talk about it in this feature.
This week, we will cover Amazing Spider-Man #546, BPRD 1946 #1 of 5, Evil Dead #1 of 4, Foundation #1 of 5, Hulk #1, Jason & The Argonauts Kingdom Of Hades #1 of 4, JLA Classified #50, Nightwing #140, North Wind #1 of 5, The Twelve #1 and Youngblood #1.
Nick Budd Read and Thought:
Nightwing #140
Writer: Peter J. Tomasi
Artist: Rags Morales
Company: DC Comics
First things first, Rags Morales is one heck of an artist. He proved this during DC’s big crossover Identity Crisis a few years back but seeing it here, in Nightwing, I’m reminded as to how criminally insane it is that he doesn’t get more work. The action, which is something that is a name-stay for the Nightwing book in general, that he puts to paper is so nice to watch and has a fluidity to it that really makes you sit up and take notice. Michael Bair’s inks and Edgar Delgado’s colors look especially good over the pencils to boot. As for the rest of the book, Tomasi’s story is fairly interesting but it’s so steeped in current Batman continuity (the whole Resurrection of Ra’s Al Ghul storyline) that some of it feels, at times, less than approachable. Still, I think he’s a writer that actually gets Nightwing and the rest of the Bat-family, the relationships, action and whatnot, and that’s a rare and good thing see. For that reason alone, I’ll be tuning into the same Bat-Channel next month.
B.P.R.D. 1946 #1 of 5
Writer: Mike Mignola & Joshua Dysart
Artist: Paul Azaceta
Company: Darkhorse Comics
At this point, it’s fairly obvious that writer Mike Mignola doesn’t know how to write a bad story because B.P.R.D. 1946 is just as strong as anything else he’s ever done. He and Dysart have cooked up a cool little number that tells the story of Trevor Bruttenholm, the young man who initially found Hellboy, and a group of almost Dirty Dozen-like military grunts who are searching post-war Nazi Germany for occult relics. There’s more going on than that, but to reveal those things would ruin a lot of what this book has to offer. The art, handled by Paul Azaceta (Potter’s Field/Talent) is yet another great addition to the ranks of Mignola’s talented army of awesome. It’s certainly a style that is its own thing but it also is very well suited to the dark and supernatural themed nature of the story that is being told. The action is extremely visceral, with wonderfully striking colors by Nick Filardi,l but even his panels that feature nothing more than a few guys talking have a nice sense of energy to them. If you’re a Mignola fan or have been enjoying Lobster Johnson, B.P.R.D. or Hellboy lately, this book is something you’re going to want to pick up.
Dave Farabee Read and Thought:
Jason & the Argonauts: The Kingdom of Hades #1 (of 4)
Writer: David McIntee
Artist: Rantz
Company: Blue Water Comics
Ray Harryhausen gotta eat. That’s the only reason I can think of that he’s put his name behind the universally forgettable Blue Water Comics spin-offs of his beloved sci-fi/fantasy projects. And I won’t even pretend that Harryhausen movies like Jason & the Argonauts and Clash of the Titans were great cinema, but they were always invigorating adventure with standout action and monsters sequences. Blue Water’s books feel like what you’d expect from Xena comics, and even those they fall a bit short of. The plot here? Strictly conventional “island of monsters” stuff. The art? Cartoon and anime-influenced in the Humberto Ramos tradition (but nowhere near his draftsmanship). Not even as good as Van Helsing.
JLA Classified #50
Writer: Roger Stern
Artist: John Byrne
Company: DC Comics
A lot of my favorite 80s-era writers still write like they were in the 80s, and for better or worse, Roger Stern’s no exception. Here he spins a reasonably fun tale of a mysterious alien who invades the JLA Watchtower and makes short work of even their most powerful members. The mystery is that he seems familiar with the League, as if he’s fought them before, but none of them recognize him (nor does the reader). The title of the issue (and John Byrne’s mere presence) suggest time travel may play a role, but we’ll see. Solid work, alongside solid art from Byrne. It just feels too dated for me tastes, but I’d readily recommend it to younger readers.
Amazing Spider-Man #546
Writer: Dan Slott (and various on the back-up stories)
Artist: Steve McNiven (and various)
Company: Marvel Comics
I was the closest you might find to an apologist for “One More Day,” not because I thought it was an artful story, but simply because I was behind the net effect: Peter Parker returning to his more iconic, single days, regaining his old supporting cast, getting back the mechanical webshooters, etc, etc. Well, it’s a nice theory. In practice, it’s a clunker of an issue. For one thing, it’s ridiculously action-light (and over-scripted) for a new era that purports to recapture the energy of the Spider-Man heyday. It spends a lot of time establishing how sucky Peter’s life is, which, in a post-collegiate life tends to come off more as pathetic than “I want to root for this guy!” Between all the supporting cast set-up crap, we’re briefly introduced to an unremarkable new villain, though the only action scene is a short chase with Peter deliberately avoiding putting on the costume. This is the grand relaunch? Are you kidding me? And just in case you didn’t get enough of the supporting cast in the main story, there’s about 800 back-up stories where they’re equally forgettable. Man, I really wanted this relaunch to be good, and maybe it’ll yet come together, but this is a damn awkward start. Did I mention that McNiven’s art is nice? It is, and that’s about all.
Randy Lander Read and Thought:
The Evil Dead #1 of 4
Writer: Mark Verheiden
Artist: John Bolton
Company: Dark Horse
I should say right up front that I’m not really the target audience for this. I like Ash and the Evil Dead spinoffs in very, very small doses, and I’ve never actually seen the first Evil Dead movie. So this fairly straightforward adaptation and expansion of the original doesn’t really hit the mark with me, missing most of the sardonic humor and over-the-top gore that I enjoyed about Evil Dead 2 and the later iterations of the Ash character. Bolton’s work is strange, photo-realistic for the most part but with a moody use of color and heavily shadowed approach that is meant to enhance the horror but instead mostly winds up muddying the storytelling waters. Verheiden’s script captures Raimi’s tone and Ash’s “voice” as it was early on, but it’s a touch more real, not as over-the-top as the butt-kicking wisecracker Ash has become, and I confess I find the over-the-top version of the character more fun to read. I can’t say for sure whether bigger Raimi/Evil Dead fans would enjoy it, but my guess would be that they would, just as my guess is that those who enjoy the modern incarnation of Ash as seen in Army of Darkness will find this all a bit grim and maybe even dull.
Foundation #1 of 5
Writer: John Rozum
Artist: Chee
Company: Boom! Studios
Foundation has a great high concept behind it, about a mysterious organization that manipulates events based on the prophecies of Nostradamus. While many would have fumbled the ball on such an interesting premise, Rozum nails it by focusing not on the organization, or on Nostradamus’s prophecies, but on one guy inside the organization on one mission presumably typical of what they do. The story is all from his point of view as he tries to rationalize letting hundreds of people die and saving one, and wondering about predestination and choice and the moral rightness of his actions even as he’s a complete, emotionless badass on the surface. It’s a psychological thriller story, with great art by Chee that reminds me of the work of Brian Hurtt’s beautiful color artwork on DC’s Hard Time. Fascinating premise, dead-perfect execution, a great new suspense/moral quandry thriller that I highly recommend to everyone, but especially to those digging Archaia’s The Killer.
North Wind #1 of 5
Writer: David DiGilio
Artist: Alex Cal
Company: Boom! Studios
It’s a good week for new books from Boom! Foundation has the edge for me, but North Wind is a promising new entry in the post-apocalyptic genre. After a brief couple pages introducing “what happened” (a post-apocalypse tradition), North Wind transitions into a snow-covered L.A. with a heavy seal population, man-eating tigers facing off with rugged hunters, a peaceful but endangered community, their more barbarous and corrupt neighbors/overlords and a young boy with more guts that brains angling to buck the system. The story beats are familiar, but they’re well done, and the world of North Wind is an interesting and fully realized one. A lot of credit for that must go to Alex Cal, who is a true artistic find, and his colorists Fran Gamboa and Rocio Canteros, who do a lot with a cool blue and arctic white palette. With Resurrection, The Walking Dead and Wasteland, the post-apocalyptic genre is alive and well in comics, and fans of the genre have another reason to celebrate with the arrival of North Wind.
Youngblood #1
Writer: Joe Casey
Artist: Derec Donovan
Company: Image Comics
I don’t remember where I read this, but someone recently noted that they’d seen a lot of Youngblood number ones, but not a lot of Youngblood number fours. A good Youngblood first issue should be greeted with cautious optimism at best, because whether it’s good (the Alan Moore issues, for example) or bad (the rest of them), the story will probably sputter out and vanish rather than finishing. With any luck, the latest relaunch can avoid that fate, because it’s a pretty solid superhero team opener with the usual pop culture twists from Joe Casey, who gave us some of the best post-modern superheroes ever in his Wildcats 3.0 run. The concept of celebrity superhero remains a good one, and Casey starts off with sketched-out characters but a well-drawn set of parameters for the team and how they interact as celebrities and superheroes, and it’s a fun ride with plenty of interesting potential for the future. Donovan’s artwork is occasionally a bit sparse and lacking in detail, but he’s got a generally slick, slimmed down and fun animation style look to his art that works quite well with the tone of the book. I’ll reserve judgment until we’ve got a few more issues, or maybe a trade, to judge whether it has legs, but it’s a good start, at any rate.
David Martindale Read and Thought:
The Twelve #1 of 12
Writer: J. Michael Straczynski
Artist: Chris Weston
Publisher: Marvel Comics
Wow, that was actually… fun. We start out with a tale of Golden Age heroes in Berlin as the allies descend on the Nazi capitol. What ensues is a story told in the a tone that feels appropriate to the generation of heroes that our protagonists belong to. That’s not to say that it feels dated; it feels classic in the way that the Nazis that Indiana Jones fights are classic rather than dated and corny. The story sets up a situation that’s not entirely original, but it could lend itself to an interesting story. Weston’s pencils really lend themselves well to the Golden Age feel of the title while remaining impressive with very strong storytelling ability. The colorist, Chris Chuckry, also does a very nice job with the color palette. The subdued colors are reminiscent of much earlier eras in comics while still keeping a broad array of colors and detail. The art in general is one of the best examples of recreating the tone of classic comic art and still rising above the limitations of the era that I’ve ever seen. Recommended.
Hulk #1
Writer: Jeph Loeb
Artist: Ed McGuinness
Publisher: Marvel Comics
Two fun books in my Wednesday Number Ones? It’s more likely than you think. Like my fellow Panteon writer, Nick Budd, said in his full review for this site, I’ll say this is no Daredevil: Yellow or Spider-Man: Blue, but it is pretty solid. The murder mystery angle is fun and interesting, and the artwork really is the work of McGuinness’ career. It’s more detailed, emotive, and proportional than before, and most of all… it’s even more fun than before. My biggest complaint lies in Loeb’s less-than-funny attempts at humor. So many writers in comics right now are trying to be hip and witty, and for the most part, it just isn’t working. It just feels like Loeb is trying too hard. Overall, it’s certainly worth a look. I recommend checking out the first issue at least.
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I’m so glad the likes of Foundation and North Wind (also, Potter’s Field out sometime ago) for Boom! Studios are worth reading. I have read North Wind and I agree what was said. Foundation, I still have to read it, but I’m happy to hear it does not suck. I didn’t know much about Boom! Studios till I heard Mark Waid was to be the Editor-in-Chief. Can anyone recommend any titles from Boom! Studios that I haven’t mentioned already? They are certainly one of (if not the) best indie publisher at the moment.
09 Jan 2008 at 9:40 pm
QuoteTheir Warhammer and Warhammer 40K books are great, 2 Guns is good, Tag, Fall of Cthulhu, Jenny Finn (which has seen several publishers but is currently available as a trade from them), and their various Tales books are all ones I’d recommend.
09 Jan 2008 at 9:56 pm
QuoteI didn’t read One More Day. Decided to go ahead and give Amazing #546 a read.
Won’t be doing that again. As Dave said, it’s clunky, and if they wanted fans to forget about OMD and just give Brand New Day a chance, they needed to not be quite so in your face about all the things they changed. What they needed was a good solid Spidey action story along with some fun introductions for the new supporting characters.
What they got was Harry Osborn as rich douchebag you want to punch in the throat, Peter Parker as pathetic as Steve Carell’s character in 40-Year-Old Virgin (and McNiven’s cat ate the canary look for him gives him a bit of an entitled douchebag look as well), a handful of new bimbos who can’t hold a candle to Mary Jane, Gwen Stacy or even Felicia Hardy and a dull new villain.
The good? Points for using the Spider-tracer, a grudging admission that smart CSI tech Carlie could become an interesting Spidey love interest and I’ll admit that McNiven’s art is nice, although Hollowell’s colors are way too candy bright, especially in the club scenes, and I do find the whole thing a little over-glossy and the expressions so real yet manufactured as to fall into Polar Express creepy look territory.
The bad? Everything else. I’m not one of those guys who was carping about One More Day, I’d accepted that it was going to suck months ago, but I had some hope for the new creative teams on Spidey, especially this one. This was a stinker of a first issue, though. On my old rating scale, I’d probably have given it a 5/10, maybe 6/10 if I was feeling charitable.
Back to the fringes of Marvel for Immortal Iron Fist, Incredible Herc and The Order for me, I think.
09 Jan 2008 at 10:44 pm
QuoteI on the other hand, actually enjoyed BND. I’d give it a 7/10, but Iron Fist, Herc, and The Order are still stronger books.
The in-your-face-ness of the changes didn’t really strike me much as I was never an old-school or new-school Spidey fan. I had a blast, and I thought the bright colors and super-glossy tone made it more colorful and fun. I’d be surprised if it doesn’t end up in my top 5 this week.
I’ll admit that I’m most assuredly in the minority when I say that I can read this new take without comparing it in any way to any other take on Spider-Man, recent or traditional.
09 Jan 2008 at 10:51 pm
QuoteThank YOU! That sums up McNiven’s art perfectly to me. He has beautiful backgrounds and detail and I have to admit he is surely talented no doubt. But his faces just look bizarre to me. I really noticed that during Civil War. Some of those facial expressions Punisher and Cap especially were making just seemed almost out-of-place comical. I also don’t think his women are very attractive for the same reason.
Y’know I’m not really on the pissing and moaning bandwagon on OMD. I know it doesn’t make a BIT of sense, but it was more of an “ends justifying the means”. To me the real “proof” of the pudding was going to be this issue. I couldn’t make it to my LCS today (will be going Friday) so I haven’t actually read this yet, but between these reviews, and talking to a friend of mine who got it… I’m not very hopeful. If the ball gets dropped on this totally it’s just going to be depressing.
Rags Morales is awesome! I absolutely LOVED his run on Hawkman. I also HATED the fact that his art was wasted on the soul-crushing over-narrorated Meltzer-fest that was Identity Crisis. Anyways Nightwing just became a must-buy for me.
Who wants to take bets on what we’ll see first? Youngblood #4 or WildCats #4?
09 Jan 2008 at 11:30 pm
QuoteI’m not actually doing any comparing at this point, except to my own expectations for what should be in a good Spidey story. If I grade it in relation to solid, enjoyable Spidey stuff like the post-Stern DeFalco stuff, it gets a 4, and if I grade it against my high watermark for the character (Roger Stern in the ’80s, Stan Lee in the ’60s) it gets a 2.
09 Jan 2008 at 11:44 pm
QuoteWhat is everyone smoking? The Twelve was so crushingly dull it brought me to tears. Why convince them it’s 1945 if they can’t be bothered to keep good enough security to make it work? Gee, Straczynski didn’t beat the stereotype of the menacing, ruthless military figure thoroughly into the ground where the grease stains of a rotted dead horse once was ENOUGH he’s got to do it again?
The captions, captions, captions, if you’re not Don MacGregor, knock it off with the bloody captions!!
I thought Slott would faceplant ASM like Grayson on Nightwing and Waid on LOSH, and boy, I was right. Wake me when Zeb Wells’ arc starts.
But it’s not all bad news: Scalped turned in probably its best issue to date, with Dashiell Bad Horse dealing with a dead mother, but not necessarily HIS dead mother. A terrific series and Marvel was right to sign Jason Aaron on.
10 Jan 2008 at 12:04 am
QuoteBrand New Day is what got me to come back to Spidey after a 2 year absence (well, i started with OMD because i figured i’d be lost if i didn’t read it), since i liked what they were saying about it having a more light-hearted, old school approach, and i assumed they’d be dropping most of the JMS/Joe Q stuff that made me drop the book (they did). While it’s damn tough to keep OMD out of mind while reading it (reading the final 2 parts of that story immediately before didn’t help), i have to say that taken on its own, i generally enjoyed it. I think as the net-furor dies down and we get further away from that whole fiasco, the book’ll be easier to get into (at least i hope so). At the moment though, it just feels really skeevy to see Pete flirting with other girls. Oh well, at least it’s pretty.
10 Jan 2008 at 1:31 am
QuoteI’m admittedly one of the guys who is almost rabidly invested in Spidey as a character, so there was a lot of teeth-gnashing from me as a result of OMD. I ended up with a copy of BND simply because I forgot to strike it from my pull list.
But I came to terms with the fact that as long as it’s a good Spidey story, I might be able to accept it.
That said, Dave’s review was spot-on. And I still really don’t see the point of revamping Amazing into ‘Swingin’ Single Spider-Man’ if there are already *plenty* of out of continuity comics that fit the bill.
10 Jan 2008 at 7:38 am
QuoteI rather enjoyed one more day, now maybe it’s an expectation thing, I went in very sceptically, expecting the worst, what I got was a story that quickly won me over, interesting back up characters, cause Spidey always needs a good back-up cast, and story set ups that I thought has a lot of promise.
About the only thing I didn’t like was the MJ back up thing, which just seemed oddly out of place to me. I’m not saying the books potential will be realized, but considering they’ve got some good talent behind it, and how much I liked the first issue, they’ve got this reader, least for now.
10 Jan 2008 at 7:59 am
QuoteFor my money the BPRD/Hellboy books are amongst the most consistantly strong books out there. There has been a total glut of them recently, with Lobster Johnson finally getting his own book, and none have been disappointing. The universe Mignola has created just gets more and more fleshed out. It’ll be really interesting to see where the eventual endgame takes us.
And as for Youngblood #1, why??????
10 Jan 2008 at 8:22 am
QuoteGreat news on the Amazing Spiderman front….well, bad news really, cause I was hoping it would be good with the talent involved, but good news for my wallet, as I was looking for an excuse not to pick the relaunch up.
Cheers!
10 Jan 2008 at 8:45 am
QuoteIt seems like so many reboots/relaunches damage the characters in order to make them better. I mean, Peter making a deal with the Devil? Do the ends justify the means, no matter how good BND is?
It makes me think that between this and things like Infinite Crisis, maybe the big 2 should just wipe the slate clean and start completely over.
10 Jan 2008 at 9:45 am
QuoteI’m still waiting for the Loeb/Campbell Spider-Man book Marvel promised a while back. Although based on Loeb’s Marvel work of late(Wolverine and Ultimates) I’m not sure how good(or bad) it might be.
10 Jan 2008 at 10:14 am
QuoteI’m with you there, as has been mentioned here I think, I much rather publishers reboot by editorial fiat, rather than coming up with some square peg in a round hole reason for the reboot.
10 Jan 2008 at 10:17 am
QuoteI rather liked the new Spider-Man. It was meant to establish a new Peter Parker moreso than a new Spider-Man and establish a new overall tone, while laying the groundwork for four upcoming arcs. Not an easy feat and all things considered Slott pulled it off. I have never been a huge McNiven fan for the reasons Randy mentioned above, but the art was vibrant and fun to look at.
I don’t fully get the criticism that “no luck” single Parker hampers the enjoyment. I don’t find it to be particularly depressing or unlikable. Part of me thinks you have to have lived in New York City to fully understand it — how nothing can go your way for weeks on end but you’re still taking in stride and enjoying life.
Plus, the fact that with the marraige Parker had his “happy ending” and was STILL miserable is simply far, far, far more depressing than single Parker being down on his luck. So in that sense I’m relieved the marraige is gone.
10 Jan 2008 at 12:33 pm
QuoteI believe Rags had some personal issues that prevented him from having much of a follow up to Identity Crisis and kept him on short projects. Though his brief Wonder Woman stuff was beautiful.
I liked Nightwing. I only ever liked Dick back in the old Bob Haney Teen Titans so this was the first Nightwing story I read I actually really enjoyed. Speaking of Bob Haney, the Teen Titans Lost Annual was silly fun. Wich Nick Cardy did the art but his sketches in the back were beautiful.
10 Jan 2008 at 1:28 pm
QuoteI gave up all interest in Spidey after the clone saga, and know that I’m not alone in that.
10 Jan 2008 at 2:25 pm
QuoteSo are Captain America, Daredevil, X-Factor, Thunderbolts, X-Men: First Class, McDuffie’s FF…. I could go on.
I just read BND and it was just ok to be honest. Early days I suppose but it will have to improve if it’s gonna win people back over after OMD.
10 Jan 2008 at 3:12 pm
QuoteAs someone who likes the work of Dan Slott and Zeb Wells and has no attachment to recent Spidey continuity, would I enjoy Brand New Day? After reading Spidey/Human Torch: I’m With Stupid, which is probably my favorite comic of the past several years, I’ve been dying to read more of Dan Slott’s Spider-Man, and can’t believe his first issue is getting panned by so many people.
10 Jan 2008 at 3:37 pm
QuoteI genuinly liked Peter being married and do not even mind his wife being “hot
Come on how much a loser do we need 26 year old Peter to be? He fricking made web fluid in his basement at 16 and he’s gotten pictures of superhero battles on other planets! HE’D have to work hard not to be rich and famous
It’s ok with me that JQ thinks girls are icky. If he has to make a time-warping deal with the devil to get out of it fine. But an unmarried Spider-man that’s STILL a new Avenger? I’m not with that
10 Jan 2008 at 3:37 pm
QuoteHA! Good point, Rob. He has all of that going for him, but is still basically a bum? Too funny.
10 Jan 2008 at 3:58 pm
QuoteSince it’s been established that Peter’s man-gravy is radioactive too, doesn’t the fact that he’s single really just mean that he’s spreading his cancerous seed out over a larger group of women? At least MJ will be spared a slow death from radiation poisoning.
10 Jan 2008 at 4:34 pm
QuoteJq’s a fan undoing a plot-twist he hates I get that but I hate the idea of Spider-man on a team with Wolverine more than anything else EVER done Spider-man! Not that hip with a deal with the devil ethier (but at least he won’t remember that.)
While were at it Aunt May was SHOT? a guy who knows REed Richards makes a deal with the Devil over a gunshot wound?
10 Jan 2008 at 4:35 pm
Quotehaha, never thought of it that way. At the very least you’d think they could clone her body and switch brains like they did with the Red Skull. I struggle to believe that the top minds at Marvel sat down for multiple creative summits and none of these decisions were questioned. (unless everyone under Joe Q is basically a yes-man at this point)
10 Jan 2008 at 6:20 pm
QuoteWell, let’s be fair. They could clone Thor, so we know they CAN do it. But if they were going to clone Aunt May, it would only be in her Golden Oldie incarnation, and she would have to work for SHIELD.
10 Jan 2008 at 7:00 pm
QuoteA list of my thoughts (i’m not a hater some are NICE
1. REALLY joe Marrige is bad sharing bunk beds with Wolverine is good?
2 yes their “yes-men” do you think “time-warping Devil deal sounded” GOOD to anybody? In his more lucid moments I Doubt joe likes it
3 Harry being back may be good
4. these “histroy has changed but were not sure how stories never work
5 new bad guys! YAY
10 Jan 2008 at 7:01 pm
QuoteI can’t say for sure, but for comparison’s sake, I’ll say this: Spidey/Human Torch is one of my favorite Spider-Man comics in the past few years, possibly my favorite, and I still couldn’t get into Slott’s new Spidey. Actually, I was a huge Slott fan when he was doing the earlier issues of She-Hulk and his unfortunately short-lived The Thing series, but in the last year or so I haven’t been digging most of his work as much.
But if Slott on Amazing does get Spidey/Human Torch reprinted as a regular-sized trade or hardcover, then it’ll all be worth it. Yes, even Peter Parker making a deal with the devil.
My God. This is Mephisto’s evil plan. He never cared about the marriage at all, he just wanted Spider-Man to be responsible for mass murder via casual sex!
It all makes sense now!
10 Jan 2008 at 10:09 pm
QuoteI’d like to think OMD/BND proves it’s not the Spider-Marriage premise that stinks, just the people responsible for the Spider-comics. Doesn’t matter how you change the premise.
If you had Paul Anderson make The Godfather, it would suck. And if you had Coppola make Aliens vs. Predator, it would only suck if it was made after 1985.
Errrr… okay, bad example. :p
11 Jan 2008 at 11:22 am
QuoteRead The Twelve #1, Foundation #1, Youngblood #1 and Hulk #1. Out of all the comics, Hulk #1 is the one that I won’t continue to read.
13 Jan 2008 at 4:32 pm
Quote